Which passage from the text best supports the answer the question 7

Ead the passage from "marriage is a private affair” by chinua achebe. "i shall never see her,” was the reply. from that night the father scarcely spoke to his son. he did not, however, cease hoping that he would realize how serious was the danger he was heading for. day and night he put him in his prayers. nnaemeka, for his own part, was very deeply affected by his father’s grief. but he kept hoping that it would pass away. if it had occurred to him that never in the history of his people had a man married a woman who spoke a different tongue, he might have been less optimistic. "it has never been heard,” was the verdict of an old man speaking a few weeks later. in that short sentence he spoke for all of his people. this man had come with others to commiserate with okeke when news went round about his son’s behaviour. by that time the son had gone back to lagos. "it has never been heard,” said the old man again with a sad shake of his head. "what did our lord say? ” asked another gentleman. "sons shall rise against their fathers; it is there in the holy book.” "it is the beginning of the end,” said another. how does this passage reinforce the traditional social hierarchy? the older men in the village tell okeke that he should respect nnaemeka’s decision. the older men in the village console nnaemeka about okeke’s attitude toward his choices. the older men in the village commiserate with okeke regarding nnaemeka’s decision to disobey him. the older men in the village think that nnaemeka should be optimistic that okeke will accept his decision.

Chicago by carl sandburg hog butcher for the world, tool maker, stacker of wheat, player with railroads and the nation's freight handler; stormy, husky, brawling, city of the big shoulders: they tell me you are wicked and i believe them, for i have seen your painted women under the gas lamps luring the farm boys. and they tell me you are crooked and i yes, it is true i have seen the gunman kill and go free to kill again. and they tell me you are brutal and my reply is: on the faces of women and children i have seen the marks of wanton hunger. and having answered so i turn once more to those who sneer at this my city, and i give them back the sneer and say to them: come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning. flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid against the little soft cities; fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness, bareheaded, shoveling, wrecking, planning, building, breaking, rebuilding, under the smoke, dust all over his mouth, laughing with white teeth, under the terrible burden of destiny laughing as a young man laughs, laughing even as an ignorant fighter laughs who has never lost a battle, bragging and laughing that under his wrist is the pulse. and under his ribs the heart of the people, laughing! laughing the stormy, husky, brawling laughter of youth, half-naked, sweating, proud to be hog butcher, tool maker, stacker of wheat, player with railroads and freight handler to the nation. which type of figurative language does the poet use most often in "chicago"? a. rhyme b. simile c. metaphor d. personification

That pattern of stanzas from which a poem is built is called ?