I stood on all of that and it worked for a second. But then I had the tips of my fingers on the vase, and the tragedies started to wobble, and the tuxedo was incredibly distracting, and the next thing was that everything was on the floor, including me, and including the vase, which had shattered. "I didn’t do it!" I hollered, but they didn’t even hear me, because they were playing music too loud and cracking up too much. How does the narration shape Oskar’s characterization in this excerpt?

of course not love is   love u cant change it.

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agamemnon was the leader of the greek troops in the trojan wars and orestes was his son. when agamemnon returned from the war, he was murdered by his wife's lover in conjunction with his wife. orestes could not stop them but he seeked vengeance for his father. after a long time, he found them and avenged his father while killing them. he killed his mother, but greek mythology claims that his act was just and he was spared the remorse and the guilt. there are a lot of similarities with the ulysses/telemachus father son pair. ulysses was also one of the leaders of the excursion to troy. he still has not returned home, but in a sense the suitors of penelope are marring his estate and his reputation. while penelope is faithful to ulysses, the suitors by taking hold of the palace and committing their shameful acts are dishonoring ulysses. in the same context, telemachus is asked just like orestes to restitution his father's honor, regardless of whether he is alive or dead. athena is him and encouraging him with this example and he himself feels the need to save his father

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