Read the excerpt from William Shakespeare’s Hamlet. To be, or not to be, that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, ’tis a consummation Devoutly to be wish’d. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; This excerpt is an example of heroic couplet. free verse. blank verse. common meter.

The answer is blank verse!

Comparison of the 'To be, or not to be' soliloquy in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto and the First Folio

Text

This version preserves most of the First Folio text with updated spelling and five common emendations introduced from the Second ("Good") Quarto (italicized).

To be, or not to be, that is the question:

Whether 'tis nobler in the mind to suffer

The slings and arrows of outrageous fortune,

Or to take Arms against a Sea of troubles,

And by opposing end them: to die, to sleep;

No more; and by a sleep, to say we end

The heart-ache, and the thousand natural shocks

That Flesh is heir to? 'Tis a consummation

Devoutly to be wished. To die, to sleep,

perchance to Dream; aye, there's the rub,

For in that sleep of death, what dreams may come,

When we have shuffled off this mortal coil,

Must give us pause. There's the respect

That makes Calamity of so long life:

For who would bear the Whips and Scorns of time,

The Oppressor's wrong, the proud man's Contumely,

The pangs of dispised Love, the Law’s delay,

The insolence of Office, and the spurns

That patient merit of the unworthy takes,

When he himself might his Quietus make

With a bare Bodkin? Who would Fardels bear, [F: these Fardels]

To grunt and sweat under a weary life,

But that the dread of something after death,

The undiscovered country, from whose bourn

No traveller returns, puzzles the will,

And makes us rather bear those ills we have,

Than fly to others that we know not of.

Thus conscience does make cowards of us all,

And thus the native hue of Resolution

Is sicklied o'er, with the pale cast of Thought,

And enterprises of great pitch and moment, [F: pith]

With this regard their Currents turn awry, [F: away]

And lose the name of Action. Soft you now,

The fair Ophelia? Nymph, in thy Orisons

Be all my sins remember'd.

First Quarto (1603)

The "First Quarto" (Q1) is the earliest edition of Hamlet but is considered a bad quarto (essentially a theatrical knock-off) rather than a first or earlier draft, and although some parts of Q1 reflect the received text of Hamlet well, its version of 'To be' does not. 'Hope' in place of 'dread', for example, considerably changes the meaning. For ease of comparison the spelling here is updated as above.

Comparison of the 'To be, or not to be' soliloquy in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto and the First Folio

Explanation:

uh, the answer is d i guess.