QUESTION 1 Secret Cinema has turned the experience of watching films into a social event, by
transporting viewers into the worlds of cult-classic movies like Blade Runner and Moulin
Rouge. Essentially, it's a new form of art that reimagines the way we use buildings and
spaces for films.
For each event, audiences of up to 5,000 people per night are invited into a constructed,
immersive world, complete with scenes and actors that match the movie that is being
screened.
Watch the experience for Shawshank Redemption.
Based on what you see in the video, and what you've learned in class, would this more than
likely be considered a transmedia extension of the film, Shawshank Redemption?

Read the excerpt from act 3 of a doll’s house. mrs. linde: you seemed to me to imply that with me you might have been quite another man. krogstad: i am certain of it. mrs. linde: is it too late now? krogstad: christine, are you saying this deliberately? yes, i am sure you are. i see it in your face. have you really the courage, then—? mrs. linde: i want to be a mother to someone, and your children need a mother. we two need each other. nils, i have faith in your real character—i can dare anything together with you. krogstad [grasps her hands]. , , christine! now i shall find a way to clear myself in the eyes of the world. ah, but i forgot— how does the conflict in this passage develop a theme? mrs. linde creates a conflict by promising something she cannot give to krogstad, which develops the theme that empty promises can destroy relationships. krogstad continues the conflict by choosing clearing his name over having a life with mrs. linde, which develops the theme that you must often choose yourself over others. krogstad creates a conflict by deceiving mrs. linde about his intentions, which develops the theme that, in love, actions speak louder than words. mrs. linde resolves the conflict by committing to a new life with krogstad, which develops the theme that new beginnings are always possible.