Tonya decided that she would finally face her fears today. No day is better than another, she told herself as she examined herself in the dressing mirror. Certainly not! She was going to look her best today—the black top with red borders and the boot-cut jeans would boost her confidence. Today, she would wear the red sandals and walk with her head held high. The mirror reflected a tall, athletic, and glowing young woman—ready to conquer the universe. Tonya thought hard about the words she was going to say to Aish when she heard her call out her name. "Tooony! Are you ready yet?" Aish and her famous, loud voice had woken up the neighborhood for the morning. "Geez Louise! Could you hurry up, plase?" "Coming!" Tonya replied and appeared downstairs with her backpack in a matter of moments. She gave Aish a long, hard look. She thought that even in plain, short, overalls and ponytails, petite Aish looked stunning. "Okay, let's go," Tonya uttered, looking flustered. "Black is definitely not your color, doll!" Aish said, chewing gum loudly. "Ugh, those red sandals! What were you thinking? Sam will definitely run away after seeing you!" "Aish, do you think that maybe you could be a little less critical with your remarks?" Tonya finally said what had been on her mind for a long time. "I value your opinion and don’t appreciate you always putting me down." Which of these terms best describes Aish? A. the heroic protagonist B. a round character C. a static character D. Tonya's character foil E. the suppressed heroine

Which values of the ancient greeks are most emphasized in the excerpt?

Respond for free points because i don't have a question anymore.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects