Read the excerpt from "The Negro Artist and the Racial Mountain," by Langston Hughes. But jazz to me is one of the inherent expressions of Negro life in America; the eternal tom-tom beating in the Negro soul—the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile. How does Hughes inject elements of jazz into the excerpt? by repeating the word “work,” which emphasizes the need to relax with references to the “white world,” which accentuates the targeted audience with figurative language such as “pain swallowed in a smile,” which acts as song lyrics by repeating the phrase “tom-tom,” which acts as a drum beat

I'm not going to write 150 words lol, but i will you with giving you examples of how they kept the animal population from revolting. napoleon made a list of rules, and told everyone how "important they are even though he was known to break them and then have them changed by the only animal who could read on the farm. none of the animals were intelligent enough to read, so they never knew if they had been changed or not which was an advantage to napoleon. napoleon constantly reminded them that if they revolted they would have to go back to mr. jones' way of things, which in retrospect was "worse" (wasn't really worse though, he was just saying that to intimidate since he didn't wanna lose his power). one of the main reasons they revolted in the first place was food, and of course if they revolt napoleon will not share food with them.