Describe the woman who causes Enkidu's transformation what might her role indicate about early Mesopotamian cultures beliefs about the process of becoming civilized or the role of women in society?

The woman who promotes the transformation in Enkidu is called Samate. She is a prostitute, beautiful and extremely sensual. She seduces Enkidu and makes him fulfill all his desires, thus bringing him closer to the characteristics that a civilized man must possess.

This says a lot about the vision of women and the process of civilization that the first cultures of Mesopotania had. This shows that the woman was seen as a being full of whims and manipulations that had the ability to shape the man and make him reach levels that he could not achieve alone. It also reveals that one of the characteristics of civilization was that men had the possession of a woman and established a relationship with her that would spur her wild side, but that would lead her to rationality.

the answer is:

d. a story that frightened readers so much they would become suspicious of their surroundings

frankenstein is one of the terror novels wrote by the writers in a sort of bet, lord byron challenged them all to write a ghost story, and the story came to mary shelley in a dream, she wanted to conect with the fears of her society, fears of technology and changes, and she wanted readers to look around, freightened.

explanation:

mark brainliest and have a great day!

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: