5. (1) Conservative politicians say that gay marriage must be banned in order to protect the sanctity of heterosexual marriage. (2) How, exactly, does gay marriage threaten straight marriage? (3) Marriage is a way of publicly stating that two people care deeply for one another and want to establish themselves as a permanent couple. (4) Marriage makes a society more stable, not less so. (5) When two gay people get married, it does not mean that two straight people have to break up. (6) Conservatives are supposedly in favor of “family values,” and what is more in keeping with “family values” than committed partners? (7) If people don’t like the idea of gay marriage, they are entitled to their opinion. (8) But they should not try to make their opinion the basis of law affecting the lives of others. Is it? A) to inform B) to persuade C) to entertain

anyone who was dealing with communism in soviet union in his time had an ideal picture of equality, freedom, the struggle of the working class for a better future, the success of the aristocracy's overthrow and the emancipation of subjugation.   however, anyone who would go to soviet union to see the functioning of the communist system, would be convinced that it was about sad people, about everyday bad life, about the brutal attitude of communist leaders, about ill obsession to completely exterminate every thought on aristocracy. thus, orwell wanted to show all the absurdity, the brutality of the system, the unbearable rule of suspicious morality, the ignorant people who try to play professionally.

the answers are: b. and e.

one thousand and one nights, also known as arabian nights is a collection of stories whose basic structure is that of embedded narrative. this technique refers to a main story which works as the common frame - or framing narrative - for the other stories, and then this series of stories which are connected to the main one. this technique can also be referred to as a story within a story. the stories stem from the original tale, some begin and end on their own, some are connected to the previous or following one, by means of questions that are answered in the subsequent tale, or characters which reappear.

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