Which excerpt from “Raymond's Run” uses the narrative voice to make a judgment about a character’s behavior? A) And tomorrow I’m subject to run the quarter-meter relay all by myself and come in first, second, and third. The big kids call me Mercury ‘cause I’m the swiftest thing in the neighborhood.

B) He can beat me to Amsterdam Avenue with me having a two-fire-hydrant head start and him running with his hands in his pockets and whistling. But that’s private information.

C) Or like last week when she won the spelling bee for the millionth time. “A good thing you got ‘receive’ Squeaky, ‘cause I would have got it wrong. I completely forgot about the spelling bee.” And she’ll clutch the lace on her blouse like it was some narrow escape. Oh, brother.

D) And on the other side of the fence is Raymond with his arms down to his side and the palms tucked up behind him, running in his very own style, and it’s the first time I ever saw that and I almost stop to watch my brother Raymond on his first run.

The  excerpt from “Raymond's Run” that uses the narrative voice to make a judgment about a character’s behavior is C. Or like last week when she won the spelling bee for the millionth time. "A good thing you got 'receive' Squeaky, 'cause I would have got it wrong. I completely forgot about the spelling bee." And she'll clutch the lace on her blouse like it was some narrow escape. Oh, brother.

According to the book Raymond's Run , we know that the author tries to show the readers how to find one's self and also give respect to others.

Therefore, the excerpt that uses narrative voice to make a judgment about the behavior of the character is option C as he talked about the character that won the spelling bee and how she was said to act like her win was a "narrow escape"

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- Or like last week when she won the spelling bee for the millionth time. "A good thing you got 'receive' Squeaky, 'cause I would have got it wrong. I completely forgot about the spelling bee." And she'll clutch the lace on her blouse like it was some narrow escape. Oh, brother.

Explanation:

'Raymond's Run' penned by Toni Cade Bambara is a short story that explores the key idea of 'searching your identity to respect oneself as well as the others.'

As per the question, the excerpt 'or like...brother' from the story employs a narrative voice to offer a judgment regarding the behavior of Squeaky's character. The use of third-person narrative voice is reflected from the use of the third-person pronoun 'she' to explain her behavior to the readers. This makes us deduce that a narrative voice is used to throw light upon her behavior.

1. read the following excerpt from franklin d. roosevelt's "fireside chat 19":

on the other side of the picture, we must learn also to know that guerilla warfare against the germans in, let us say serbia or norway, us; that a successful russian offensive against the germans us; and that british successes on land or sea in any part of the world strengthen our hands.

remember always that germany and italy, regardless of any formal declaration of war, consider themselves at war with the united states at this moment just as much as they consider themselves at war with britain or russia. and germany puts all the other republics of the americas into the same category of enemies. the people of our sister republics of this hemisphere can be honored by that fact.  

the true goal we seek is far above and beyond the ugly field of battle. when we resort to force, as now we must, we are determined that this force shall be directed toward ultimate good as well as against immediate evil. we americans are not destroyers — we are builders.

analyze the effectiveness of this excerpt. how does it function within the speech as a whole? how does the structure of the excerpt to convey the speech's purpose and key points? support your argument with evidence from the speech. (10 points)

the aesthetic impact is that moment when you are relating spatially to the target. the "ai" occurs when you have an impression that includes both you and the target and is usually a spatial relationship.