In paragraph 9, Turkle makes an allusion (reference to another author, character, or work) to Goldilocks. What do you think Turkle's purpose is in.
using this allusion?

You forgot to say that this question is about the article "The Flight from Conversation" by Sherry Turkle.

The author's purpose is to exemplify what she is talking about, providing a basis for her argument and simplifying it so that the reader has an extended understanding of the subject spoken.

Explanation:

In paragraph 9 the author is arguing about how the success of current communication, with the use of devices, is due to the fact that we manage to control our relationship with the people with whom we communicate, in this case, we can keep away from them, but not much; and, close to them, but not much. To extend the reader's understanding and provide a basis for this argument, the author alludes to the Goldilocks effect, which is an effect that refers to the children's intention to like things that are neither too much nor too complex, but rather in right measure, in the same way as we establish our current communication.

yti<

sdacdsvdfvv

explanation:

v/zdjvmxv

word count 168

serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.