Drag the tiles to the correct boxes. Each tile can be used more than once. Match each excerpt to the type of characterization it contains
direct characterization
indirect characterization
excerpt 1
They were indeed an odd-looking party that assembled on the bank-
the birds with draggled feathers, the animals with their fur clinging
close to them, and all dripping wet, cross, and uncomfortable.
(Lewis Carroll, Alice's Adventures in Wonderland)
excerpt 2
Seven long years he had worked hard for his master. At last he said,
"Master, my time is up; I must go home and see my poor mother once
more: so pray pay me my wages and let me go." And the master said,
"You have been a faithful and good servant, Hans, so you pay shall be
handsome." Then he gave him a lump of silver as big as his head.
(The Grimm Brothers, The Brothers Grimm Fairy Tales)
excerpt 3
During this dialogue the child had remained silent, her eyes roving
from one to the other, all the animation fading out of her face.
Suddenly she seemed to grasp the full meaning of what had been said.
Dropping her precious carpet-bag she sprang forward a step and
clasped her hands
(Lucy Maud Montgomery, Anne of Green Gables)

Read the following excerpts that illustrate darl's and cash's points of view from william faulkner's as i lay dying : from darl: read the following excerpts that illustrate darl's and cash's points of view from william faulkner's  as i lay dying: from darl: tull's wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. in the wagon bed are two chairs. jewel stops at the spring and takes the gourd from the willow branch and drinks. i pass him and mount the path, beginning to hear cash's saw.when i reach the top he has quit sawing. standing in a litter of chips, he is fitting two of the boards together. between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, cash is. he holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. he kneels and squints along the edge of them, then he lowers them and takes up the adze. a good carpenter. addie bundren could not want a better one, better box to lie in. it will give her confidence and comfort. i go on to the house, followed by the          chuck.          chuck.          chuck.of the adze.from cash: i made it on the bevel.there is more surface for the nails to grip.there is twice the gripping-surface to each seam.the water will have to seep into it on a slant. water moves easiest up and down or straight across.in a house people are upright two thirds of the time. so the seams and joints are made up-and-down. because the stress is up-and-down.in a bed where people lie down all the time, the joints and seams are made sideways, because the stress is sideways.except.a body is not square like a crosstie.animal magnetism.the animal magnetism of a dead body makes the stress come slanting, so the seams and joints of a coffin are made on a bevel.compare how the two narrators tell the story of addie bundren's impending death. is either narrator reliable? explain what the reader learns about each narrator. be sure to use specific details from the text to support your answer.

Hyperbole in the book messenger by lois lowry

Read the passage below and answer the question that follows. ‘you make me feel uncivilized, daisy,’ i confessed on my second glass of corky but rather impressive claret. ‘can’t you talk about crops or something? ’ i meant nothing in particular by this remark but it was taken up in an unexpected way. ‘civilization’s going to pieces,’ broke out tom violently. ‘i’ve gotten to be a terrible pessimist about things. have you read ‘the rise of the coloured empires’ by this man goddard? ’ ‘why, no,’ i answered, rather surprised by his tone. ‘well, it’s a fine book, and everybody ought to read it. the idea is if we don’t look out the white race will be—will be utterly submerged. it’s all scientific stuff; it’s been proved.’ in this passage, tom’s ideas about race relations come off as uncivilized. what literary device is fitzgerald using here?