Crunch Rocks Cereal Advertisement Hey kids! I want to tell you about a new cereal straight from the rock piles of Georgia called “Crunch Rocks.” This cereal is crushed by the greasy care of sweaty, sledge-hammering Georgia miners. Each solid stone is carefully selected by the best-behaving criminals in the state and then pulverized into tiny kernels of gravel-like goodness to fill your cereal bowl. With “Crunch Rocks,” you don’t have to worry about cavities because you won’t have any teeth! The rock pebbles of Crunch of Rocks will destroy them so you have nothing left in your mouth but bleeding gums. You won’t have to waste your time morning and night brushing and flossing, or ever smile for the camera again. “Crunch of Rocks” is filled with tasty, hard center of delicious fiber and iron. Its multi-mineral composition will rough up your esophagus and then tear through your intestines. While Georgia isn’t the Sunshine State, the rocks in “Crunch Rocks” have spent centuries baking in the sunlight and are a great source of Vitamin D. Be sure to place “Crunch Rocks” at the bottom of your grocery bad so it doesn’t smash your eggs and bread. “Crunch Rocks” can also be sued to line your fishbowl or fill potholes in your driveway. The purpose of this passage is to: a. Entertain the reader with a silly cereal ad b. To tell people that eating rocks is bad for you c. To sell rocks as a new cereal product d. To persuade readers that taking care of your teeth isn’t important

By comparing part 1 and 2 of polar opposites what does it mean by polar opposites

2. page 1: schlosser describes "just another gorgeous rocky mountain vista. and yet cheyenne mountain is hardly pristine." why do you think schlosser describes the beautiful cheyenne mountain scene in detail before describing the military installation that lies inside?

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.