Survivor's Guilt Paragraph In a well-thought-out, eight-sentence
minimum paragraph, explain the guilt the
narrator of The Seventh Man felt about his
failure to save K. Is his survivor's guilt
rational or irrational? Support your argument
with evidence from The Seventh Man or
"The Moral Logic of Survivor Guilt."

the answer is academic paper

and the second should be college professor

98 points!

assignment

analyzing characters

respond to the following questions in one paragraph for each. use specific examples from the text to support your responses.

1. there is a set of twins on the island named sam and eric. however, when describing them, golding regularly refers to them as samneric. how does this way of describing the twins relate to their behavior and the way that readers understand their characters? what examples of their behavior readers see that samneric is really the appropriate way to refer to them?

2. as the boys set out to search for the beast, ralph allows jack to lead the way, and he sinks to the back of the pack, " to have escaped responsibility for a time." what does this moment lead you to infer about ralph and about his feelings about being the group’s leader? what does this moment foreshadow?

3. while part of the party searching for the beast, simon realizes that the notion of the beast that the other boys have does not make sense. a beast sitting atop a mountain with claws, a beast who did not leave tracks, could have easily caught the twins. simon has a different picture of the beast: "there rose before his inward sight the picture of a human at once heroic and sick." how does this picture relate to the beast that samneric saw? how does it relate to what simon said earlier about the beast being "only us"?

no plagarism

me

c, have a good day ~matya

answer: age of the protagonists.

dubliners is a collection of fifteen short stories by james joyce, published in 1914. they tell the stories of the irish middle class in and around dublin in the early years of the 20th century.

joyce divides the collection into three sections dealing with childhood, adolescence and maturity. therefore, one pattern he uses to organize his stories is the age of the protagonists. the initial stories deal with children, and as the stories continue, they focus on progressively older people.