The Greek chorus in Antigone not only comments on the action of the play and relays background information, but it also gives the audience a sense of the relationship between Creon and his subjects. Select the excerpt that shows the chorus’s insight into Creon’s effect on his subjects. CHORUS 1
Each left behind his armor bright,
Trophy for Zeus who turns the fight;
Save two alone, that ill-starred pair
One mother to one father bare,
Who lance in rest, one 'gainst the other
Drave, and both perished, brother slain by brother.

. . .

CHORUS 2
God of Thebes, lead thou the round.
Bacchus, shaker of the ground!
Let us end our revels here;
Lo! Creon our new lord draws near,
Crowned by this strange chance, our king.
What, I marvel, pondering?

. . .

CHORUS 3
Son of Menoeceus, thus thou will'st to deal
With him who loathed and him who loved our State.
Thy word is law; thou canst dispose of us
The living, as thou will'st, as of the dead.

. . .

CHORUS 4
What strange vision meets my eyes,
Fills me with a wild surprise?
Sure I know her, sure 'tis she,
The maid Antigone.
Hapless child of hapless sire . . .

CHORUS 3

I hope this helps.

images of intense weather events

u gay

explanation:

answer: provide the speech

explanation:

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: