Read the excerpt from “The Morning Dream.” Awaking, how could I but muse
At what such a dream should betide?
But soon my ear caught the glad news
Which serv'd my weak thought for a guide—
That Britannia, renown'd o'er the waves
For the hatred she ever has shown
To the black-sceptred rulers of slaves,
Resolves to have none of her own.
The excerpt contains the theme of

Great Britain opposing other nations.
Great Britain supporting other nations.
Great Britain opposing slavery.
Great Britain supporting slavery.

not sure how to answer your question sorry

i think the beatles

explanation: they are talked about more.

awnser:

over the two days of the convention, presided over by lucretia’s husband james mott, the declaration of sentiments was read and its resolutions debated. the ninth resolution continued to be the most controversial, particularly because the attendees were predominantly quaker, and quaker men often declined to vote. freed slave and newspaper editor frederick douglass argued for approval of the resolution and convinced the audience of its necessity. at the end of the convention, about 100 of the attendees signed the declaration, although some removed their names later due to criticism.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran