Read the passage from The Hobbit. "Farewell, good thief," he said. "I go now to the halls of waiting to sit beside my fathers, until the world is renewed. Since I leave now all gold and silver, and go where it is of little worth, I wish to part in friendship from you, and I would take back my words and deeds at the Gate."

Bilbo knelt on one knee filled with sorrow. "Farewell, King under the Mountain!" he said. "This is a bitter adventure, if it must end so; and not a mountain of gold can amend it. Yet I am glad that I have shared in your perils—that has been more than any Baggins deserves."

Question 1
Part A

What is the implied idea in the passage?

Thorin is still angry at Bilbo because he took the Arkenstone.

Thorin believes Bilbo is a thief and wants to end their friendship.

Thorin is paying Bilbo with the gold and silver for his help.

Thorin wants forgiveness from Bilbo.
Question 2
Part B

Which sentence best supports the answer in Part A?

"'I would take back my words and deeds at the Gate.'"

"'I go now to the halls of waiting...'"

"'...to sit beside my fathers, until the world is renewed.'"

"'Since I leave now all gold and silver, and go where it is of little worth'"

i believe it would be the first one the importance of internet safety

explanation:

because now and days kids don't know what the can find on the internet they can find dark web, 4 chan ect. if we don't teach them internet safety anything can happen.

(don't search up,dark web,4 chan u have been warned)

onto a large boat, and mark the water level that the boat sinks to. then, take the elephant out and put a bunch of marked weights onto the boat until it reaches the same water level. add up the masses of the weights to get the weight of the elephant.

i'm on the same lesson : / i really don't want to do it..

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran