A Thousand Martyrs by Aphra Behn

Aphra Behn lived and wrote in the 1600s and was the first woman in England to make a living as a professional writer. A political spy, playwright, novelist, and poet, Aphra broke social barriers while her literary works tackled controversial topics, including slavery, racism, desire, and gender. Her writings were considered scandalous for the time.

A thousand martyrs I have made,

All sacrificed to my desire;

A thousand beauties have betrayed,

That languish in resistless fire.

The untamed heart to hand I brought,

And fixed the wild and wandering thought.

I never vowed nor sighed in vain

But both, though false, were well received.

The fair are pleased to give us pain,

And what they wish is soon believed.

And though I talked of wounds and smart,

Love’s pleasures only touched my heart.

Alone the glory and the spoil

I always laughing bore away;

The triumphs, without pain or toil,

Without the hell, the heav’n of joy.

And while I thus at random rove

Despise the fools that whine for love.

How do the stanzas of the poem affect its meaning?

They build on one another to explain why the speaker has not yet found love.

They work together to explain that the speaker does not take romance seriously.

They describe the qualities that the speaker seeks in romantic partners.

They express different perspectives the speaker has on the importance of relationships.

Read this passage: i think of you daily, my darling, especially when it’s dark and the other men in the foxhole become silent. i like to pretend that the gunfire is a fireworks display and that you are here with me to enjoy it. who is the intended audience for this passage? a. the writers girlfriend at home b. the writers fellow soldiers c. the writers mother and father d. the writers commanding officer

Based on the map, which arabian city will marco polo describe after kalhat if he continues northwest across the arabian sea?

Read the passage from animal farm. as clover looked down the hillside her eyes filled with tears. if she could have spoken her thoughts, it would have been to say that this was not what they had aimed at when they had set themselves years ago to work for the overthrow of the human race. these scenes of terror and slaughter were not what they had looked forward to on that night when old major first stirred them to rebellion. if she herself had had any picture of the future, it had been of a society of animals set free from hunger and the whip, all equal, each working according to his capacity, the strong protecting the weak, as she had protected the lost brood of ducklings with her foreleg on the night of major's speech. instead—she did not know why—they had come to a time when no one dared speak his mind, when fierce, growling dogs roamed everywhere, and when you had to watch your comrades torn to pieces after confessing to shocking crimes. there was no thought of rebellion or disobedience in her mind. she knew that, even as things were, they were far better off than they had been in the days of jones, and that before all else it was needful to prevent the return of the human beings. whatever happened she would remain faithful, work hard, carry out the orders that were given to her, and accept the leadership of napoleon. but still, it was not for this that she and all the other animals had hoped and toiled. it was not for this that they had built the windmill and faced the bullets of jones's gun. such were her thoughts, though she lacked the words to express them. what was most likely orwell’s purpose for writing this passage? to show that clover is more sensitive to violence than the others to remind readers of major's speech and the original rebellion to present napoleon as a cruel leader unworthy of the animals’ support to represent misled followers and their dashed hopes for better lives