1. A rondo choreographic structure is: O A. based on creating a ripple effect. In this form, a dancer or group of dancers begin the same
movement at different times.
O B. like a song chorus. This form is based on alternating between a repeated section (A) and
contrasting episodes (B, C, D).
O C. a two-part composition (also referred to as binary form), in which there are two distinct
movement themes.
D. a three-part composition, in which the second section contrasts with the first section and the
third section revisits the first.
O E. like an echo. One individual or group will perform a movement phrase, and then the other will
respond in movement after.

Have you ever thought you understood a person based on a story that you have heard about them? have you ever guessed about a person's personal life because of the clothes they wore? or, have you judged a person because of their friends? although classifying people in this way is typically discouraged, authors deliberately use your preconceived ideas to you form an opinion about the character or to at least have a better understanding. can you think of a time that you made a character call about someone based on external aspects? were you correct, or incorrect? has anyone ever made an incorrect assessment of you based on external aspects? write two paragraphs about it in your journal.

You evaluated the effectiveness of tan's structure in supporting her purpose.

Imagination! who can sing thy force? or who describe the swiftness of thy course? soaring through air to find the bright abode, th' empyreal palace of the thund'ring mode, we on thy pinions can surpass the wind, and leave the rolling universe behind: from star to star the mental optics rove, measure the skies, and range the realms above. there in one view we grasp the mighty whole, or with new worlds amaze th' unbounded soul. what does the speaker compare imagination to in the poem? a. a soaring bird b. the sky c. a cloud d. a sailing ship