Read the excerpt from the Dalai Lama’s Nobel Prize acceptance speech. With the ever-growing impact of science on our lives, religion and spirituality have a greater role to play by reminding us of our humanity. There is no contradiction between the two. Each gives us valuable insights into the other. Both science and the teachings of the Buddha tell us of the fundamental unity of all things. This understanding is crucial if we are to take positive and decisive action on the pressing global concern with the environment.

Which statement best explains how the structure of the excerpt supports the speaker’s message?

a, The cause-and-effect structure shows how religious beliefs influence the way people relate to science.
b. The cause-and-effect structure explains the reasons why science and religion are important.
c. The compare-and-contrast structure shows the similarities and differences in how religions view science.
d. The compare-and-contrast structure shows science and religion have similar goals, even if they have different beliefs.

{asap} select the correct text in the passage. which line in this excerpt from jonathan swift's "a modest proposal" uses the rhetorical device of irony? and secondly, there being a round million of creatures in humane figure throughout this kingdom, whose whole subsistence put into a common stock, would leave them in debt two million of pounds sterling, adding those who are beggars by profession, to the bulk of farmers, cottagers and labourers, with their wives and children, who are beggars in effect; i desire those politicians who dislike my overture, and may perhaps be so bold to attempt an answer, that they will first ask the parents of these mortals, whether they would not at this day think it a great happiness to have been sold for food at a year old, in the manner i prescribe, and thereby have avoided such a perpetual scene of misfortunes, as they have since gone through, by the oppression of landlords, the impossibility of paying rent without money or trade, the want of common sustenance, with neither house nor cloaths to cover them from the inclemencies of the weather, and the most inevitable prospect of intailing the like, or greater miseries, upon their breed for ever. i profess, in the sincerity of my heart, that i have not the least personal interest in endeavouring to promote this necessary work, having no other motive than the publick good of my country, by advancing our trade, providing for infants, relieving the poor, and giving some pleasure to the rich. i have no children, by which i can propose to get a single penny; the youngest being nine years old, and my wife past child-bearing. lines highlighted: - there being a round million of creatures in humane figure throughout this kingdom, whose whole subsistence put into a common stock, would leave them in debt two million of pounds sterling, - they have since gone through, by the oppression of landlords, the impossibility of paying rent without money or trade, the want of common sustenance, with neither house nor cloaths to cover them from the inclemencies of the weather - i have not the least personal interest in endeavouring to promote this necessary work, having no other motive than the publick good of my country, - i have no children, by which i can propose to get a single penny; the youngest being nine years old, and my wife past child-bearing.

100 points and brainliest for think of an intense argument you had or witnessed sometime in your life. close your eyes and remember every detail. to turn this into a dramatic scene you will need to make changes that will make it make more sense to the audience. 500-600 words a description of the set up that explains what happened before the scene diction that matches the characters character objectives and obstacles are clearly conveyed a scene that escalates in dramatic intensity diction that is appropriate to the audience words that are not wasted in idle chit chat action (stage directions) that enhance the scene proper formatting for drama

The point of view in the novel can best be described as third-person omniscient third-person limited second-person first-person