Analyzing The Crucible - 100 points, if those who answer this question can also help me with Part B & C as well, I'll throw in more points. Part A - included in the file, this is what I need help with the most.

Part B - A character’s development occurs in two areas: external and internal. External character development depends on external conflicts and interactions. Internal character development results from internal conflict, both as a response to external conflicts and interactions and as a result of personal musings and considerations.

Select one character from The Crucible who exhibits both external and internal character development.

Describe the conflict(s) acting as the agent of change for that character and explain how it contributes to the character’s development.

Part C - Read this Knowledge Article about the common themes in The Crucible alluding to the Salem witch trials and the McCarthy hearings and their connection to the events in the play. Then, select any theme from the play and write two to three paragraphs analyzing how the theme is developed through the text.

the answer is d my man/woman the first passage is real the second is a setting.

it was surely an odd creature that one made up by reading the historians first and the poets afterwards a worm winged like an eagle; the spirit of life and elegance and charm,   in a kitchen chopping up suet. but these creatures, monst'r however entertaining to the imagination, hast no existence in fact. what one might doth to bringeth h'r to life wast to bethink poetically and prosaically at one and the same moment,   thus keeping in toucheth with fact—that the lady is mrs martin, ag'd thirty-six, did dress in blue, wearing a black coxcomb and brown shoeth; but not losing sight of fiction eith'r—that the lady is a vessel in which all s'rts of spirits and f'rces art coursing and flashing p'rpetually. the moment, howev'r, yond one tries this method with the elizabethan mistress, one brancheth of illumination fails; one is did hold up by the scarcity of facts.   one knoweth nothing detailed, nothing p'rfectly true and substantial about h'r.   hist'ry scarcely mentions h'r.   and i did turn to professeth'r trevelyan again to seeth what hist'ry meanteth to that gent.   i hath found by looking at his chapt'r headings yond t meanteth.

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