Add the phrase in brackets to the sentence using 'that' or 'who' and a relative clause: 1) She worked for a man (the man used to be an athlete)

2) They called a lawyer (the lawyer lived nearby)

3) I sent an email to my brother (my brother lives in Australia)

4) The customer liked the waitress (the waitress

5) We broke the computer (the computer belonged to my father)

6) I dropped a glass (the glass was new)

7) She loves books (the books have happy endings)

8) They live in a city (the city is in the north of England)

9) The man is in the garden (the man is wearing a blue jumper)

10) The girl works in a bank (the girl is from India)

11) My sister has three children (my sister lives in Australia)

12) The waiter was rude (the waiter was wearing a blue shirt)

13) The money is in the kitchen (the table got broken (the table was my grandmother's)

14) The table got broken (the table was my grandmother's)

15) The television was stolen (the television was bought 20 years ago)

16) The fruit is on the table (the fruit isn't fresh)

1. who

2. who

3. who

4. who

5. that

6. that

7. that

8. that

9. who

10. who

11. who

12. who

13. that

14. that

15. that

16. that

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation:

while his customary satire is present in mark twain's short story "the notorious jumping frog of calaveras county," there is a cloaking of this satire as twain's narrator is not directly involved. another literary device that you could build a thesis around is the use by twain of hyperbole.

mark as brainilest