Please help fill in the blanks Immigrant children are lost in the system because they are separated from their parents who crossed the border illegally. This seems . It is on children who did not choose to come to the United States and lose their parents. According the New York Times website, “…the children had already been released from federally overseen shelters and foster homes into the care of sponsors, who are typically relatives or family friends. The parents of the children had already been deported without them.” I feel

the answer is fantasy

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran

answer: age of the protagonists.

dubliners is a collection of fifteen short stories by james joyce, published in 1914. they tell the stories of the irish middle class in and around dublin in the early years of the 20th century.

joyce divides the collection into three sections dealing with childhood, adolescence and maturity. therefore, one pattern he uses to organize his stories is the age of the protagonists. the initial stories deal with children, and as the stories continue, they focus on progressively older people.