Look at the information about Kamala Harris on the left side. Use the facts about her life to write a paragraph of 8 sentences or more. • Your paragraph should include simple present, simple past, present perfect, and present perfect progressive tenses. Use each tense at least once. • It should include a variety of verbs and time expressions. For example, some verbs you could use are elect, become, born, study, marry, work, be, live, teach and others of your choice. • It should include an adjective clause. Please pay close attention to your tenses, sentence structure, capitalization, and punctuation.

The dogs created when they pulled the christmas tree down and started eating the candy canes.

[1] nothing that comes from the desert expresses its extremes better than the unhappy growth of the tree yuccas. tormented, thin forests of it stalk drearily in the high mesas, particularly in that triangular slip that fans out eastward from the meeting of the sierras and coastwise hills. the yucca bristles with bayonet-pointed leaves, dull green, growing shaggy with age like an old [5] man's tangled gray beard, tipped with panicles of foul, greenish blooms. after its death, which is slow, the ghostly hollow network of its woody skeleton, with hardly power to rot, makes even the moonlight fearful. but it isn't always this way. before the yucca has come to flower, while yet its bloom is a luxurious, creamy, cone-shaped bud of the size of a small cabbage, full of sugary sap. the indians twist it deftly out of its fence of daggers and roast the prize for their [10] own delectation why does the author use the words "bayonet-pointed" (line 4) and "fence of daggers" (line 9) to describe the leaves of the yucca tree? . to create an image of the sharp edges of the plant to emphasize how beautiful the plant's leaves are to explain when and where the plant grows to show how afraid the author is of the plant

Which of the following characterizes a true epic and is seen in the r@pe of the lock? a. everyday details c. heroic acts b. humorous contrasts d. impossible events