10. Imagine that you are a journalist writing about a love triangle among three celebrities. Which version of the sentences presented below would MOST LIKELY
be considered sensational?
O "Courtney has been put into a tough situation: Will she stay with Tiernan, or leave him
for Khalid?"
O "Courtney faces a decision that could change her life: Will she decide to remain with the
lovable and faithful Tiernan, or gamble with Khalid?"
O "Courtney has been thrust into a hellish nightmare: Will she stomp on Tiernan's sensitive
heart forever for a chance at the chiseled abs of Khalid?"
O "Courtney is presented with a problem: She will choose either the man she knows well or
the new man that is appealing in different ways."

Select all that apply. identify the objective case personal pronouns. i me you him, her he, she it we us them they

Respond for free points because i don't have a question anymore.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects