S- Read the sentence from the text. Then, answer the question. But with each step Hans took, the stone seemed to grow heavier.
Which statements best explain how the sentence supports the theme? Select two choices.

A. It hints that Hans will never be a good scissors-grinder.
B. It suggests that Hans does not know what he wants in life.
C. It explains that, no matter what he does, Hans is always miserable.
D. It describes how owning the sharpening stone makes Hans unhappy.
E. It points out that Hans can never be happy until he has reached home.

which of the following was specifically permitted by the emancipation proclamation?

free african americans were allowed to fight for the confederacy.

free african americans were allowed to enlist in the union army and navy.

enslaved people in border states were allowed to move to the north.

enslaved people in border states were allowed to become confederate citizens. nrg myjr i64gq3y45h5t5

chapter i -- paris: september, 1792

a surging, seething, murmuring crowd of beings that are human only in name, for to the eye and ear they seem naught but savage creatures, animated by vile passions and by the lust of vengeance and of hate.

during the greater part of the day the guillotine had been kept busy at its ghastly work: all that france had boasted of in the past centuries, of ancient names, and blue blood, had paid toll to her desire for liberty and for fraternity.

hope this answer you: )!

there are several different forms of presenting this; each has a very specific format. plays have a very simple format; teleplays, for television shows, or screenplays, for movies, have more complex and strict rules for formatting.

drama

the first of these to be written for the express purpose of being performed were created by the greeks. many of our modern terms derive from greek origins.

comedy

in the greek sense, a play that doesn't end in death. in modern usage, refers to a play that is humorous.

tragedy

in the greek sense, a play that ends with the death of at least one of the main characters. in modern usage, refers to a play that doesn't have a happy ending.

the switch in narration increases the proximity of the narrator to the main character and the reader can perceive information only through the filter of a single character.