Identify the type of figurative language being used. Then, explain the meaning of each figurative
phrase.
1. After getting my report card, it was time to hit the books. (Metaphor) This phrase means
2. The stars were diamonds in the cold, dark sky. (Metaphor)
3. Her hair swirled around her face like spider webs of gold. (Simile)
4. My favorite book greeted me like an old friend. (Personification)
5. Her eyes danced when she saw the beautiful decorations.

b

explanation:

the chosen symbology is the 'sweet secret' which anna confesses on january 6th.

anne's thoughts on her mother are further indication of her growing maturity and of her feelings of isolation from her mother.

the homoeroticism of this passage led it to be excluded from early editions of the journal. this passage shows anne's simultaneous innocense about and fascination with sex. she's clearly aware and unafraid of being sexual, but at the same time is seemingly unaware that her homosexual feelings could be considered taboo back then.

hope this !

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran