Which phrase best describes incidents in a literary text?(1 point) conflicts in a story or drama

dialogue in a story or drama

description in a story or drama

events in a story or drama

Which statement best describes how these paragraphs develop the central idea of the article? a- they elaborate on the idea that the offer has been made with youngsters in mind. b- they provide additional information as to why the prize is a wagon instead of something else. c- they support the idea that the wagon is attractive to youngsters and is a worthy prize. d- they introduce the idea that the newspaper is a generous organization. read paragraphs 4 and 5. the disc wheel coaster wagon is thirty-six inches long and sixteen inches wide. the coaster is built exactly like a high-powered automobile. the disc wheels have rubber tires and true roller bearings. it runs as smoothly as an eight-cylinder automobile. it is built of the strongest wood and is equipped with a reliable hand brake, enabling the owner to stop in an instant. the tongue—usually the first thing about a wagon to break and render the wagon unserviceable—is so stout that a man can jump on it without breaking it.

But this, but you – small, pitiful and twiggy – you put me down with wine, you blinded me. come back, odysseus, and i'll treat you well, praying the god of earthquake to befriend you – his son i am, for he by his avowal fathered me, and, if he will, he may heal me of this black wound – he and no other of all the happy gods or mortal men.' few words i shouted in reply to him: 'if i could take your life i would and take your time away, and hurl you down to hell! the god of earthquake could not heal you there! ' at this he stretched his hands out in his darkness toward the sky of stars, and prayed poseidon: 'o hear me, lord, blue girdler of the islands, if i am thine indeed, and thou art father: grant that odysseus, raider of cities, never see his home -the odyssey, homer what motivates cyclops to ask poseidon to interfere with odysseus's journey home?

Read the excerpt from david foster wallace’s infinite jest. my silent response to the expectant silence begins to affect the air of the room, the bits of dust and sportcoat-lint stirred around by the ac’s vents dancing jaggedly in the slanted plane of windowlight, the air over the table like the sparkling space just above a fresh-poured seltzer. the coach, in a slight accent neither british nor australian, is telling c.t. that the whole application-interface process, while usually just a pleasant formality, is probably best accentuated by letting the applicant speak up for himself. in this excerpt, the narrator is providing a, both objective descriptions and subjective commentaries. b. only objective information about people, setting, and events. c. only subjective responses to the things he sees and experiences. d. a compromised interpretation of events due to his unstable condition.