(1) Many people experience a sense of therapeutic well-being when gardening. (2) While harvesting a healthy crop of organic fruits and vegetables may be the obvious benefit, there is also something to be said about the sense of calmness that digging in the dirt, sowing seeds, and cultivating plants can give a person. (3) The gardeners also decide what types of pesticides, if any, are used on the produce in the garden. (4) A few hours away from the hustle of daily life can help to de-stress and even reenergize a person. (5) Gardens are serene places where deadlines and errands are unimportant. (6) So, not only can gardening result in healthier eating habits, it can also provide an escape from the daily pressures of school, work, and family. Which sentence is off-topic?

2
3
4
5

3

Explanation:

This sentence has gone off-topic to talk about the different pesticieds used in farming while the rest of the paragraph is talking about how calm it is to farm.

the examples that saki used to represent satire through situational irony are options two (2) and five (5) inasmuch as the wolf thought that looking for a girl in the bushes could be as easy as hunting little pigs at the park, but it took him so much time to find the girl if it had not been not for a silly mistake. also, bertha would have survived to the wolf's hunt if she had not won those medals for goodness, which at the end they were what got her killed by making noise, so winning medals of goodness was not so good achievement, after all.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran