Which quote from “Mr. Flood’s Party” best supports your answer to #5? A. “There was not much that was ahead of him, and there was nothing the town below—Where strangers would have shut the many doors That many friends had opened long ago”.

B. “Then, as a mother lays her sleeping child down tenderly, fearing it may awake he sat the hug down slowly at his fee”

C. “Well, Mr. Flood, we have not met like this in a long time: and many a change has come to both of us, I fear, since last it was we had a drop together. Welcome home!”

D. “Convivially returning with himself, Again he raised the jug up to the light;”

i'm pretty sure i had this question the other day and b was the right answer.

it would be d because the however is more proper and the comma is placed in the right spot

biographical remarks present the shifting perception and re-interpretation of figures projected by the authors, or by the society represented by the authors. the portrayals in biographical accounts thus reflect the turning view-of-value in course of history. this paper particularly explores the ways in which “heretical” figures are represented in their biographical accounts, focusing on arabic zindīq poets who flourished in the 2nd century a.h. and are known for their extreme or heretic behavior. it will be discussed that the marks of their heretical deeds are presented in different ways, and the actuality of their activity, such as the association with the early theological thinkers (or mutakallimūn in arabic), is occasionally replaced by more narrativized and unrealistic anecdotes in later sources, the tales being reproduced to underscore the value of poets such as humor or quick-wittedness. the anecdotes also can highlight the qualities of their opponents who appear as their refuters. the chronological tracing of their biographical information from multiple sources reveals the fluctuating value of discourses of “heresy,” mirroring the turning religious reality and the imagined quality of the figures lived in the early period. the paper eventually aims to historically contextualize the functions of “speaking-about-heretics” as a subject of narratives, which works as a tool for writers to express manifold contemporar