How does the poem's setting—nighttime and the sea—impact the narrator? A
The setting creates a rich darkness that turns the narrator's self–examination inward to answer his own questions.
B
The setting is an extended cathedral metaphor in which the narrator hears the stars speak like angels and the sea represents hope.
C
The narrator responds emotionally to the night sky and the sea but cannot reconcile his own self–doubts with the words of the air–born voice.
D
In contrast to the narrator's inner turmoil, the setting creates a quiet vastness that allows him to hear and respond to the air–born voice.

What is the definition of listening style? a. your preferred method of listening b. the one correct method of listening c. the most effective way for you to listen d. none of the abovewhat is the definition of listening style? a. your preferred method of listening b. the one correct method of listening c. the most effective way for you to listen d. none of the above

At first i was afraid to approach him—then the fear left me. he was sitting looking out over the city—he was dressed in the clothes of the gods. his age was neither young nor old—i could not tell his age. but there was wisdom in his face and great sadness. you could see that he would have not run away. he had sat at his window, watching his city die—then he himself had died. but it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. i knew, that, if i touched him, he would fall into dust—and yet, there was something unconquered in the face. how does the conflict at the beginning of the paragraph move the plot forward? the narrator realizes that he is scared of the gods. the narrator realizes that he distrusts the spirits the narrator realizes that the god was a man. the narrator realizes that he is powerful like the gods.

And a work of fiction what is the term for the series of events that build towards the climax