Bumboat cruise on a singapore river is a poem that merely provides information about singapore's​

Bumboat cruise on a s5ingapore river is a poem that merely provides information about Singapore's river.

Explanation:

From the poem, we discover that the poet, Miriam Wei Wei Lo gives information about the Singapore's river.

In this poem, the poet reveals that at the mouth of the river Merlion still astonishes. There was a talk of closing down the mouth of the river. The poet further stated that the swelling of the river was bigger and that it was beating their boat.

The poem merely gives information of Singapore's river.

The excerpt below is an from "Bumboat cruise on a Singapore river":

''To the mouth of the Singapore river, where the Merlion

still astonishes: grotesque and beautiful as a gargoyle.

The children begin to chafe at confinement. My daughter wails

above the drone of the engine. There’s talk of closing the mouth

of the river. New water supply. There’s talk of a casino.

Heated debate in the Cabinet. Old Lee and Young Lee

locked in some Oedipal battle. The swell is bigger out here

in the harbour, slapping up spray against the sides of the boat,

as if it were waves that kept it afloat, this boat,

this island, caught between sinking and swimming,

as I am caught now. As if rhetoric mattered.

As if this place gives me a name for myself."

word count 168

serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.