What state is the book "6th grade nickname game" set in? a. Oregon
b. Pennsylvania
c. Florida
d. Maine

1. read the following excerpt from franklin d. roosevelt's "fireside chat 19":

on the other side of the picture, we must learn also to know that guerilla warfare against the germans in, let us say serbia or norway, us; that a successful russian offensive against the germans us; and that british successes on land or sea in any part of the world strengthen our hands.

remember always that germany and italy, regardless of any formal declaration of war, consider themselves at war with the united states at this moment just as much as they consider themselves at war with britain or russia. and germany puts all the other republics of the americas into the same category of enemies. the people of our sister republics of this hemisphere can be honored by that fact.  

the true goal we seek is far above and beyond the ugly field of battle. when we resort to force, as now we must, we are determined that this force shall be directed toward ultimate good as well as against immediate evil. we americans are not destroyers — we are builders.

analyze the effectiveness of this excerpt. how does it function within the speech as a whole? how does the structure of the excerpt to convey the speech's purpose and key points? support your argument with evidence from the speech. (10 points)

the answer is: false

i need it

2. how does malik relate with his mother in “the next adventure”? how do their interactions change over the course of the story? use specific details and evidence from the text to support your response. your response should be at least two complete paragraphs.

duncan's speech on his arrival at inverness is heavy with dramatic irony: not only is the "seat" (the surroundings) of the castle "pleasant," but even the air is sweeter than that to which the king is accustomed. the presence of the martlet (a summer bird) serves to heighten the irony. as far as the king is concerned, the castle, from the outside at least, appears to be a paradise. contrast this picture of delight with the imagery of hell that forms the substance of the porter scene (act ii, scene iii).