1. PART A: Which TWO of the following best identify the central ideas of this article? O A Americans became more patriotic and felt the need to fight for their country after watching footage of the war on
television
B While the U. S.government believed sending troops to Vietnam was the right thing to do, many Americans believed
the war was unethical and unnecessary
O c The U. S. government ultimately realized that education is more important than defense and college students should
be allowed to continue studying.
D Many different kinds of people disapproved of the war for many different reasons.
E Draft card burning was the most effective and attention-grabbing way that people protested the war in Vietnam.
O F. The groups who thought the war was unnecessary, such as Women Strike for Peace, completely disapproved of all
forms of violence.

" the king sits next to a crown , which symbolizes his power" is   correct   the king is standing on his feet wearing expensive clothing next to the crown.

"the king is wearing elaborate clothing." is correct. this is a symbol of wealth and   royal power.

the king is not dressed like a soldier but like a monarch.

"the king has a sword but he   sits next to a helmet" is correct.

the king is not sitting on the floor.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran