English, 29.08.2019 10:30 asdf334asdf334

What positive and negative traits does each character have in the story everyday use?

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MaggieNervous and maladjusted, Maggie is a figure of purity, uncorrupted by selfishness or complex emotional needs. Severely burned in a house fire when she was a child, her scarred, ugly appearance hides her sympathetic, generous nature. She lives at home and is protected by Mama, remaining virtually untouched by the outside world. As much as her homebound isolation protects her, she is also a victim of this seclusion: she suffers from a crippling shyness and lack of education. Maggie moves with a meek, shuffling gait and hovers awkwardly in doorways rather than getting involved in life around her. Although Mama mentions that Maggie is going to marry John Thomas, it is doubtful that even a marriage will help Maggie become a strong and clearly defined individual. Mama, protective as she is of Maggie, is frank about her shortcomings and problems.Mama, the narrator of the story, is a strong, loving mother who is sometimes threatened and burdened by her daughters, Dee and Maggie. Gentle and stern, her inner monologue offers us a glimpse of the limits of a mother’s unconditional love. Mama is brutally honest and often critical in her assessment of both Dee and Maggie. She harshly describes shy, withering Maggie’s limitations, and Dee provokes an even more pointed evaluation. Mama resents the education, sophistication, and air of superiority that Dee has acquired over the years. Mama fantasizes about reuniting with Dee on a television talk show and about Dee expressing gratitude to Mama for all Mama has done for her. This brief fantasy reveals the distance between the two—and how underappreciated Mama feels. Despite this brief daydream, Mama remains a practical woman with few illusions about how things are.

Dee

Dee is the object of jealousy, awe, and agitation among her family members, while as an individual she searches for personal meaning and a stronger sense of self. Dee’s judgmental nature has affected Mama and Maggie, and desire for Dee’s approval runs deep in both of them—it even appears in Mama’s daydreams about a televised reunion. However, Dee does not make much of an effort to win the approval of Mama and Maggie. Unflappable, not easily intimidated, and brimming with confidence, Dee comes across as arrogant and insensitive, and Mama sees even her admirable qualities as extreme and annoying. Mama sees Dee’s thirst for knowledge as a provocation, a haughty act through which she asserts her superiority over her mother and sister. Dee is also portrayed as condescending, professing her commitment to visit Mama and Maggie no matter what ramshackle shelter they decide to inhabit. Far from signaling a brand-new Dee or truly being an act of resistance, the new persona, Wangero, comes across as an attention-seeking ploy in keeping with Dee’s usual selfishness. Dee says she is reclaiming her heritage, but she has actually rejected it more violently than ever before.

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My favourite season is summer.because we can go to beach, wear summer clothes (that are way better than winter

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the miracle worker themeswilliam gibson

themes and meanings

(comprehensive guide to drama)

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there are two central themes in the miracle worker: that the human spirit can triumph over even the most daunting of disabilities and that a dedicated teacher can transform the lives of those with whom he or she comes into contact. these inspirational themes have long been personified in the widely known true-life relationship between helen keller and annie sullivan, but the miracle worker also dramatizes collateral issues that extend beyond the particular case. underlying helen’s process of learning basic principles of what annie terms “obedience” (decorum, etiquette, and hygiene), there are more universal lessons of self-governance—the inculcation of self-restraint instead of willfulness, the development of self-discipline instead of self-indulgence. only when these lessons have been mastered can helen begin to acquire language—which, annie says, “is to the mind more than light is to the eye.”

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