what is martin luther king, jr. doing stylistically with his diction to make this 4th paragraph effective?
moreover, i am cognizant of the interrelatedness of all communities and states. i cannot sit idly by in atlanta and not be concerned about what happens in birmingham. injustice anywhere is a threat to justice everywhere. we are caught in an inescapable network of mutuality, tied in a single garment of destiny. whatever affects one directly, affects all indirectly. never again can we afford to live with the narrow, provincial "outside agitator" idea. anyone who lives inside the united states can never be considered an outsider anywhere within its bounds.
a) he uses a series of alliterative words to convey emotion.
b) he uses contrasting words to show a juxtaposition of ideas.
c) he uses a caustic diction intended to polarize his audience.
d) he uses short, declarative sentences to convey factual information.

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.