Read the excerpt from lee child’s "a simple way to create suspense".

like the old cartoon of the big fish eating a smaller fish eating a very small fish, you’ll find out the big answer after a string of smaller drip-drip-drip answers. the big answer is parceled out slowly and parsimoniously.

which statement by karin slaughter shows a similar central idea?

1- i want it to change them, and i want my reader to feel that change through the character, as if it's them.
2- there has to be this peeling away of the onion, where you get to the core of the character as the story unfolds.
3- i mean, you know, crime is such a great tool for talking about the human condition, and that's what i like to do.
4- if you think about "to kill a mockingbird," for instance, some of those courtroom scenes are more tense than any grisham novel, you know.