Shakespeare often gives the audience information that some characters do not have.
how does shakespeare increase the tension in the plot line of bottom and his friends by giving the audience information that one or more of the characters does not have?
the audience knows that robin is observing their rehearsal, but bottom and his friends do not. this knowledge builds tension because robin is angry at them for being in the woods and threatens to hurt them.
the audience knows titania, under the spell, is sleeping near where bottom and his friends rehearse. this knowledge builds tension because the audience wonders what will happen if they will accidentally wake titania up.
the audience knows that bottom has been freed from the spell, but his friends do not. this knowledge builds tension because the audience wonders if bottom will still want to talk to his friends after his amazing experience.
the audience knows bottom is under a spell, but his friends do not. this knowledge builds tension because his friends think bottom is a wizard and they decide to attack him.

Question serial number: 1162965720-nccj84question category: the title as the main idea 2**it is important to learn about finances. take, for instance, the old rule of saving ten percent of every paycheck. are most people aware that theyshould immediately take that percentage out of their paycheck and put it into savings? balancing your checkbook is another important element ofganar your money. buy a money tracking program and use it to manage your money. another important tip is to speak with a financialplaner and learn about stocks and bonds. come up with a savings plan that includes a 401k, stocks, and bonds. and start young the longer youwait to save, the less compound interest you will accumulate.which is the best title for this paragraph?

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification

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