15. which sentence is the hook in this introductory paragraph?

for the first time in decades, baby boomers have been outnumbered by another group—the millennials. baby boomers, who were born in the '40s and '50s, are nearing or are in their elder years. millennials, born in the twenty years leading to 2000, are now young adults. now that they are in the majority, there are many areas where the millennials may impact our society and priorities.

a. for the first time in decades, baby boomers have been outnumbered by another group—the millennials.
b. now that they are in the majority, there are many areas where the millennials may impact our society and priorities.
c. millennials, born in the twenty years leading to 2000, are now young adults.
d. baby boomers, who were born in the '40s and '50s, are nearing or are in their elder years.

At first i was afraid to approach him—then the fear left me. he was sitting looking out over the city—he was dressed in the clothes of the gods. his age was neither young nor old—i could not tell his age. but there was wisdom in his face and great sadness. you could see that he would have not run away. he had sat at his window, watching his city die—then he himself had died. but it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. i knew, that, if i touched him, he would fall into dust—and yet, there was something unconquered in the face. how does the conflict at the beginning of the paragraph move the plot forward? the narrator realizes that he is scared of the gods. the narrator realizes that he distrusts the spirits the narrator realizes that the god was a man. the narrator realizes that he is powerful like the gods.