Read this sentence from little dorrit by charles dickens.

strangers were stared out of countenance by staring white houses, staring white walls, staring white streets, staring tracts of arid road, staring hills from which verdure was burnt away.

how does figurative language contribute to the tone of this sentence? -

hyperbole makes the characters seem isolated.

personification makes the landscape seem oppressive.

repetition makes the setting seem colorless.

alliteration makes the heat seem relentless.

Read the excerpt. … in lower burma, i was hated by large numbers of people. … i was subdivisional police officer of the town, and … anti-european feeling was very bitter. … as a police officer i was an obvious target and was baited whenever it seemed safe to do so. … i had already made up my mind that imperialism was an evil thing. … i was all for the burmese and all against their oppressors, the british. what is the situational irony in the excerpt from “shooting an elephant” by george orwell? the narrator is a british police officer and part of the system he dislikes. the narrator is himself a well-liked member of the burmese government. the narrator has recently become a burmese citizen. the narrator has decided to leave the british empire.

Read the sentence from barrio boy by ernesto galarza. "now, ernesto, you are the man of the family. you will take care of your mother until we are together in sacramento. which statement best describes the figurative language used in these sentences? a simile is used to compare ernesto to a man. a simile is used to paint a picture of family life. a metaphor is used to compare a man and his family. a metaphor is used to paint a picture of responsibility.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects