So much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.
which aspect of this poem most clearly marks it as a work of modernism?
a. it concerns a loss of faith in an agricultural way of life.
b. if focuses on the wheelbarrow as a single, specific image.
c. it sounds musical but its rhythm is not predictable.
d. it uses very few words to communicate its message.

Why is one side of the moon called the dark side of the moon?

What does a change in medium allow the audience to do?

Julius caesar. [brutus.] with this, she fell distraught, and, her attendants absent, swallowed fire. cassius. and died so? brutus. even so. cassius. o ye immortal gods! [enter lucius, with wine and taper] brutus. speak no more of her. give me a bowl of wine. in this i bury all unkindness, cassius. cassius. my heart is thirsty for that noble pledge. fill, lucius, till the wine o'erswell the cup; i cannot drink too much of brutus' love. [exit lucius. enter titinius, with messala] brutus. come in, titinius; welcome, good messala. now sit we close about this taper here, and call in question our necessities. cassius. portia, art thou gone? brutus. no more, i pray you. what moral dilemma does brutus confront in this excerpt? brutus lets go of his anger toward cassius and forgives him. brutus decides that he will not mourn portia and will stay loyal to cassius. brutus decides that he is too angry at cassius to remain friends with him. brutus questions whether cassius's life should be ended.