Which lines in the poem show how deeply the speaker feels the loss of annabel lee?
annabel lee by edgar allan poe.
and this was the reason that, long ago, in this kingdom by the sea, a wind blew out of a cloud, chilling my beautiful annabel lee; so that her highborn kinsmen came and bore her away from me, to shut her up in a sepulchre in this kingdom by the sea. the angels, not half so happy in heaven, went envying her and me— yes! —that was the reason (as all men know, in this kingdom by the sea) that the wind came out of the cloud by night, chilling and killing my annabel lee. but our love it was stronger by far than the love of those who were older than we— of many far wiser than we— and neither the angels in heaven above nor the demons down under the sea can ever dissever my soul from the soul of the beautiful annabel lee; for the moon never beams, without bringing me dreams of the beautiful annabel lee; and the stars never rise, but i feel the bright eyes of the beautiful annabel lee; and so, all the night-tide, i lie down by the side of my darling—my darling—my life and my bride, in her sepulchre there by the sea— in her tomb by the sounding sea. nextreset

Hich statement offers the best comparison of the two poems? where have you gone." i am a black woman.

It is important to learn about finances. take, for instance, the old rule of saving ten percent of every paycheck. are most people aware that theyshould immediately take that percentage out of their paycheck and put it into savings? balancing your checkbook is another important element ofkeeping track of your money. buy a money tracking program and use it to manage your money. another important tip is to speak with a financialplanner and learn about stocks and bonds. come up with a savings plan that includes a 401k, stocks, and bonds. and start young. the longer youwait to save, the less compound interest you will accumulate.which is the best title for this paragraph?

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.