Read romeo’s comment after killing tybalt in act iii, scene i of romeo and juliet.

romeo: o! i am fortune’s fool.

romeo’s statement foreshadows the fact that

romeo will give up on his marriage to juliet.
romeo will be forced to flee the city of verona.
the lovers will find a way to outsmart their fates.
the lovers have no control over their destinies.

i think its a or c

From “the raven” by edgar allan poe but the raven, sitting lonely on the placid bust, spoke only that one word, as if his soul in that one word he did outpour. nothing farther then he uttered—not a feather then he fluttered— till i scarcely more than muttered, “other friends have flown before— on the morrow he will leave me, as my hopes have flown before.” then the bird said, “nevermore.” in this excerpt, what is the speaker saying the raven will do? a. it will certainly die. b. it will leave immediately. c. it will leave the next day. d. it will befriend the speaker.

Multiple ! in this excerpt from act i, scene vi, of macbeth, duncan praises the atmosphere in the castle and the hospitality of his hostess. identify two reasons that these comments are ironic. duncan: this castle hath a pleasant seat: the air nimbly and sweetly recommends itself unto our gentle sense. . . (enter lady macbeth.) duncan: see, see, our honour'd hostess! — the love that follows us sometime is our trouble, which still we as love. herein i teach you how you shall bid god ild us for your pains, and us for your trouble. he will meet his death in the castle, which he considers a pleasant place. his praise for inverness and his hostess, lady macbeth, is deceptive. duncan secretly plans to give macbeth's title to donalbain. the hostess he praises is actually plotting his murder.

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification