A student is writing an argumentative essay about football hoping it will be published in a sports magazine. The student wants to revise the draft to maintain a formal style throughout the essay.
Read the following excerpt from the student's draft and complete the task that follows.
Choose the sentence in the paragraph that should be deleted because it does not maintain the
formal style of the rest of the paragraph.
(1) One of America's favorite pastimes, football, is also one of the most
dangerous. (2) Hard tackles with intense speed have led to numerous brain injuries
(3) Several solutions have been proposed and tried, but the concussion incidents
continue because players feel protected by their helmets -- even though their helmets
do not protect them enough. (4) A new solution to try is to remove the face mask from
the helmet, because it a player's face is unprotected, he or she will be less likely to use
his or her head to block. (5) It's about time someone comes up with an idea that will
knock some sense into these guys.
O A. Sentence 1
O B. Sentence 2
O C. Sentence 3
O D. Sentence 4
O E. Sentence 5

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects

Read the following excerpt from leslie marmon silko’s story "the man to send rain clouds." the priest stared down at his scuffed brown loafers and the worn hem of his cassock. “for a christian burial it was necessary.” his voice was distant, and leon thought that his blue eyes looked tired. “it's o.k., father, we just want him to have plenty of water.” the priest sank down into the green chair and picked up a glossy missionary magazine. he turned the colored pages full of lepers and pagans without looking at them. “you know i can't do that, leon. there should have been the last rites and a funeral mass at the very least.” leon put on his green cap and pulled the flaps down over his ears. “it's getting late, father. i've got to go.” which of the following statements best describes the thematic significance of this dialogue? this dialogue emphasizes the ongoing personal conflict between leon and father paul. this conversation between leon and father paul makes it clear that they will never come to an agreement. leon’s and father paul’s differing perspectives of the situation reflect their larger cultural conflicts. leon’s hasty exit from father paul’s house reflects his discomfort with the priest and christianity.

In chapter 34 of the awakening, how does the author reveal the contrast between arobin’s and robert’s characters? through the dialogue the two men have in the parlor by the different ways edna responds to them by describing them with contrasting language by placing them in opposite corners of the parlor