HURRY ITS TIMED Which of the following quotes from the novel identifies what Chris McCandless considers “plastic”?

I. A gifted French-horn player, as a teen he was a member of the American
University Symphony but quit, according to Walter, after objecting to the
rules imposed by a high school band teacher.
II. The summer between his sophomore and junior years Chris again returned
to Annandale and took a job delivering pizzas for Domino’s. “He didn’t
care that it wasn’t a cool thing to do,” days Carine. “He made a pile of
money.”
III. After an extended argument Burres also got McCandless to accept some
long underwear and other warm clothing she thought he’d need in Alaska.
“He eventually took it to shut me up,” she laughs, “but the day after he left I
found most of it in the van. He’d pulled it out of his pack when we weren’t
looking and hid it under the seat.”
A.
I only
B.
II only
C.
III only
D.
I and II
E.
I and III

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.