Question answere
Read the following text from a myth. This excerpt is about warriors' afterlife in Valhalla.
To arrive in Valhalla, the fallen warriors had to cross a large, noisy river. Once there, Odin
welcomed them heartily. He had straw strewn on the benches in the hall to make them
comfortable; he had all the goblets polished. ...
10
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out of 100
35
And what a fine routine met these warriors there in Valhalla. Every night they feasted on
overflowing platters of pork from the beast Saehrimnir, roasted in the cauldron Eldhrimnir
by the soot-covered cook Andhrimnir. ... Every day they battled together, and those who
fell in these heavenly battles simply rose again at the end of the day and marched
through the 540 doors of the hall to join the feast anew, since everything regenerated of
its own accord.
From Donna Jo Napoli, Treasury of Norse Mythology: Stones of Intngue, Thekery, Love, and Revenge.
Copyright 2015 by Donna Jo Napoli
Based on this excerpt, what can you condude about warriors afterlife in Valhalla
Warriors ate too much in Valhalla
Warriors feared crossing the river to Valhalla
Valhalla was a warrior's paradise.
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a

explanation:

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran