The Readers' Guide to Periodical Literature is a magazine that reviews and critiques other magazines. True
False

to leave the reader thinking and wandering on their own. without a resolution we are clueless to what happens next, and why it does. it may even cause suspension with the reader.

explanation:

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

the gas pressure p, gas volume v, and gas temperature t are given in the formula:   pv=nrt,

r is the gas constant, and n is the number of gas moles.

if the container is cooled and remains under atmospheric pressure, where r is a constant that does not change, the volume of the container remains the same, the conclusion is drawn that, with all other values ​​unchanged, the number of gas moles n, is decreases.

the right answer is a.