IF U TRY AND SCAM ME WITH THAT LINK I WILL REPORT YOU PLS HELP ENGLISH HURRY That lowliness is young ambition's ladder, Where to the climber upward turns his face.
But when he once attains the upmost round,
He then unto the ladder turns his back,
Looks in the clouds scoring the base degrees
By which he did ascend. So Caesar may
Then, lest he may prevent. And since the quarrel
Will bear no color for the thing he is,
Fashion it thus that what he is, augmented,
Would run to these and these extremities
And therefore think him as a serpent's egg-
Which, hatched, would as his kind grow mischievous-
And kill him in the shell
Which of these lines from the play indicates that Brutus fears giving Caesar power will make
him dangerous? points)
"And, to speak truth of Caesar/l have not known when his affections swayed/More than his
reason."
O "It must be by his death, and for my part/1 know no personal cause to spurn at him"
"But 'tis a common proof/That lowliness is young ambition's ladder,"
...think him as a serpent's egg Which, hatched, would as his kind grow mischievous"

In "i know why the caged bird sings," how doesmarguerite's reaction to oppression differ from the reactionof the caged bird? •she refuses to dress nicely for mrs. flowers.•she refuses to leave the house.•she refuses to eat mrs. flowers's cookies.•she refuses to speak to anyone.

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.

Has anyone taken the voices of modernism (1920s to 1940s) unit test? ? i really need read the following sentence. the cars passing by are filled with commuters. identify the present participle in the sentence. a. by b. are c. passing d. filled