Read the following excerpt from Sons and Lovers by D. H. Lawrence: Mrs. Morel was alone, but she was used to it. Her son and
her little girl slept upstairs; so, it seemed, her home was
there behind her, fixed and stable. But she felt wretched
with the coming child. The world seemed a dreary place,
where nothing else would happen for her-at least until
William grew up. But for herself, nothing but this dreary
endurance-till the children grew up. And the children! She
could not afford to have this third. She did not want it
She despised (her husband), and was tied to him. This
coming child was too much for her. If it were not for
William and Annie, she was sick of it, the struggle with
poverty and ugliness and meanness.
What aspect of this excerpt most clearly marks it as a work of Modernism?
A. It conveys the sense of defeat despite one's best efforts.
B. Children's happiness is valued more highly than adults' happiness.

Based on thoreau's transcendental beliefs, why might he have written an essay opposing the war? to explain the individual's responsibilities within a corrupt society to begin his own political career to call attention to the ways in which the government was essentially good to express his lack of interest in societal issues

Which sentence is the best translation of "you have displaced the mirth" broken the good meeting, / with most admired disorder"?

Hurry i am on the semester test which theme is evident in this excerpt from robert frost's "mending wall"? but at spring mending-time we find them there. i let my neighbor know beyond the hill; and on a day we meet to walk the line and set the wall between us once again. we keep the wall between us as we go. to each the boulders that have fallen to each. and some are loaves and some so nearly balls we have to use a spell to make them balance: "stay where you are until our backs are turned! " we wear our fingers rough with handling them. oh, just another kind of out-door game, one on a side. it comes to little more: there where it is we do not need the wall: he is all pine and i am apple orchard. my apple trees will never get across and eat the cones under his pines, i tell him. he only says, “good fences make good neighbors." spring is the mischief in me, and i wonder if i could put a notion in his head: "why do they make good neighbors? isn't it where there are cows? but here there are no cows. before i built a wall i'd ask to know what i was walling in or walling out, and to whom i was like to give offence. . " a. the human desire for material gain b. the influence of financial constraints c. the positive effects of friendship d. the uncertain nature of human relations e. the futility of human yearning