What tone does the following scene from "Contents of a Dead Man's Pocket" by Jack Finney demonstrate? Scene: He heard the sound, felt the blow, felt himself falling forward, and his hand closed on the living room curtains, the shards and fragments of glass showering
onto the floor. And then, kneeling there on the ledge, an arm thrust into the room up to the shoulder, and then he began picking away the protruding slivers and
great wedges of glass from the window frame tossing them in onto the rug. And, as he grasped the edges of the empty window frame and climbed into his home, he
was grinning in triumph.

a,b,d are the three sentences that use a reflexive pronoun

rudy is the nazi ideal, unfortunately for the nazis his ideal comes in the form of jesse the complete opposite of those who embrace the idea of white supremacy. over the course of the novel, rudy learns that he wants nothing to do with the hitler youth, and because of this his parents are forced to make a bargain; rudy's father is forced into the military, so that his son can remain home.   both liesel and hans influence that young man that rudy becomes. following han's example, rudy puts aside his own hunger to risk his life so that the jewish prisoners might have bread to eat.

in this passage from chapter 6 of "animal farm", by george orwell, what the author is ridiculing in this passage is the frivolity of some rules.

clover, the mare, believes she remembers that the fourth commandment forbade sleeping in beds because it was something that humans did. snowball, napoleon, and the pigs are brain-workers who look after the welfare of the farm. they are the obvious leaders because they are smart, and so they are entitled to eat the best food and sleep in beds. it is squealer, who says these lines making the difference between sleeping with sheets, what humans do, and sleeping in beds, what pigs do. the unwillingness to question authority makes the oppressed to obey without thinking.

i cannot see a paragraph to answer the question