ANSWER ASAP RIGHT ANSWERS ONLY. In the following passage, Jenna sounds pretty nice. What words could best replace the bold words in the following sentence to make Jenna sound nasty?Jenna beamed at her reflection. Her pink nails matched her lipstick, and as she smiled her blue eyes crinkled merrily.
a. pouted, ruby-red, smiled, stretched into taut slits.
b. smirked, blood-red, simpered, narrowed into slashes.
c. simpered, wine-colored, grinned, crimped narrowly
d. gaped, red, grimaced, scrunched up

The book the sweet hereafter: in three or four paragraphs, compare and contrast the irony of nichole's reasons for lying to the court about the accident to another well-known character who lies that you have encountered in literature. which of these characters had a better reason to lie: your character or nichole? which of these characters got the outcome they hoped for when they told the lie? what does the irony in each story say about the nature of truth and lies? (note: some famous literary liars you might consider writing about are: elizabeth proctor or abigail williams from the crucible; odysseus from the odyssey; romeo from romeo and juliet; tom or daisy buchanan from the great gatsby; arthur dimmesdale from the scarlet letter; the narrator or marla singer from fight club; cyrano or christian from cyrano de bergerac; sheherazhad from arabian nights; huck finn from the adventures of huckleberry finn; pip from great expectations, or a liar of your choice from a book or play you have read/seen)

Nikolai gogol, "the nose" what can you infer about ivan jakovlevitch from his reaction in this passage from "the nose"? o a. that he was angry at kovaloff and cut off his nose o b. that he loves his wife and wants her to think kindly of him o c. that he often finds body parts in the food at his house o d. that he is often blamed for things that are not his fault

Examine the conflict of a popular film. in 7-10 sentences, explain how the writer/director crafts a story around that conflict and why it is engaging for an audience.